Colour

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Colour

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This text offers expert advice on putting the principles of colour theory into practice.This book comprises material on colour which was written by Wittgenstein in the last eighteen months of his life.To answer such questions on the nature of colour this volume gathers the combined knowledge of physics, biology, history and art.After a century of widespread critical and theoretical neglect, colour is now poised to become a prime focus within film studies at all levels, and this book will constitute a key voice within this debate.In this volume, they present between them a total of 90 colours each covering half a page accompanied by comments on the background, the significance and the applications of the colours.The power of colour has been

used.by great masters of the past and present to elicit many different feelings in people: to shock them, to overawe them and stimulate action, to help people think and make judgements, to delight them with It establishes color as a central theme in the story of modern and contemporary art and provides a fascinating handbook to the definitions and debates around its history, meaning, and use.Colour vision is thus trichromatic and we see colours based on the principles of colour mixing. The specific colour sensation perceived by the eye is governed by the response of the three types of cone cells to the particular wavelength profile