Design Floor Texture

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Design Floor Texture

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3D Visualizing, Designing, and Space Planning Lydia Cline. Figure 728: Model an empty space, apply flooring, and group the floor before applying wall textures and builtins. If you plan to apply patterned textures to a room that has a lot of builtin casework (e.g., cabinets, bookcases), a different workflow than what was shown in Chapter 6 and earlier in this chapter is needed. The following steps are suggested: 1. Model the walls and floor. 2. Apply the floor texture, and then group the J > 11 :z ::::> ::: u <( :z ::: HARD SURFACE FLOORING Hard flooring surfaces have advantages when mobility is a challenge YELLOWLIGHT •••••••••••• MAKE IT EASY .. •: Varying floor texture. Whatever hard surface

flooring.you choosevinyl, tile, marble, terrazzo, clay pavers, or stonemake sure it is nonslip. Balance difficulties and the potential for falling can increase with age, so flooring choices are important. Tile and stone flooring with unglazed, nonslip finishes are better his chapter will illustrate how to draw interior flooring as a background using different tile and wood patterns, bamboo, concrete, and marble. Flooring in a presentationstyle floor plan should be executed using a light hand, so that it does not overwhelm your drawing. Using a 2H or 4H pencil will enable you to illustrate the flooring design and texture without detracting from the overall drawing. The exception to using a 2H or 4H in flooring is when drawing dots for

carpeting..An F pencil In Judy Pfaff's instal— lation 3D (Fig. 6.27) the wood grain of the floor—for the viewer, terra firma— leads the eye to a configuration of wood chunks in which the floor textures are repeated. These center beams provide a sort of compositional structure in an otherwise unstructured environment. I 135 TEXTURE AND DESIGN 6.28. Albert Bierstadt. Merced River, Yosemite Valley (1866) Oil on. Editorial review has deemed that any suppressed content does not materially affect the overall The material used for curing of the concrete slab must be taken into consideration with the floor finish as well. Most resinous floor finishes require the slabongrade to be prepared by “shot blasting,” which removes

the.curing compound and roughens the surface. This will allow the resinous floor to bond properly to the slab. Floor textures are also often employed, especially in large animal facilities. A “stamped” texture system can be applied to the top surface of the slab in areas where Similar principles apply to drinking fountains and telephone booths. In these cases, however, positions that are comfortable for persons using wheelchairs will not be accessible to tall, ambulant users. Therefore, almost inevitably, at least one phone or drinking fountain must be provided at an alternate height. A final consideration is for occupants who are visually or hearing impaired. Persons who have visual impairments navigate using a cane, which

detects.changes in floor texture, Now, select the layer with your concrete texture on it. Select the mask next to it in order to start editing the mask. 5. Switch the foreground and background colors so that you have white in the foreground (you learned how to do this when you were blending together your two concrete tile floor textures). 6. Now select the Bucket fill tool and click inside your selection. You can see the result here: 2. 3. 4. 7. Now, to create some shadow at the edge of the road and roadside curb. 8. Select the To increase the time that shoppers spend in certain areas of the store, a soft floor should be used (e.g., in the various merchandise presentations zones apart from the loop). Nevertheless, the loop

leading.customers through the store should not only be hard floors, as after all, we don't want to create a race track. In order to draw a shopper attention to as many products as possible, the stop rate can be increased by using different floor coverings. For example, if the general floor texture Traffic patterns and intensity may also determine the floor covering. Walls are often overlooked when considering both illumination and acoustical performance. The illumination predictability formula is 80/50/20: an 80 percent reflectance is expected from a ceiling system, 50 percent from the walls, and 20 percent from the flooring system. Most wall surfaces have assumed a decorative role in the interior design of a space. When dark

colors.or heavy textures are used, the 50 percent A design attribute (adj.) is a measurable (i.e., quantifiable or describable) characteristic of a feature, such as height, length, width, color, texture, and condition that define the proportions, appearance, and other qualities (e.g., acoustic) of a feature landmarks); location of products, devices, and technologies (e.g., clear floor space for approach and use, mounting height); location of environmental controls (e.g., mounting height and clear floor space at switches and outlets); ground/floor 

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